Every once in a while I come across a piece of writing advice that really resonates with me. And when I reviewed Elizabeth Gilbert’s Committed last week, I forgot to mention that she had one of these bits in her book.
In Gilbert’s prologue, she writes about her difficulties writing Committed, how she ditched her first attempt at a manuscript and started from scratch. She writes:
Ultimately I discovered that the only way I could write again at all was to vastly limit — at least in my own imagination — the number of people I was writing for. So I started completely over. And I did not write this version of Committed for millions of readers. Instead, I wrote it for exactly twenty-seven readers.
She goes on to name those twenty-seven readers, all female friends, relatives and neighbors. As I was reading those names, I realized that I use this technique, too — subconsciously. And I should start using it consciously.
Who do I write for? Not twenty-seven people. Sometimes I pretend I’m writing my book for just one person: a close friend named AJ. (Now that I’m writing this post, I recall Stephen King mentioning something similar in On Writing, how he writes his books with one person in mind, his wife.)
Why AJ? She knows how to tell a good story (like me, she has journalism in her blood). She’s got an attention span that does my writing good — I can imagine her getting super excited about the riveting parts of my book, but yawning and skimming over more boring sections (when I picture her getting bored, I cut). But the main reason I write for AJ is because I know she’ll never laugh at me. She wants to read about my feelings, secrets and embarrassing moments, and she’ll like the book more because of those details. Even when it’s hard for me to reveal personal thoughts to the millions of people who will read my book (hey, you never know), I feel comfortable sharing them with AJ. And so I write for her.
This strategy could work for any genre, but it’s particularly useful for memoir because it helps the writer be honest — utterly honest. The world isn’t going to read the book. Just your friends. No biggie. No pressure. Just be honest. And writing with an honest voice is so important in memoir.
Who do you write for?