Because publicity IS your job: social media for authors

This lady knows her stuff.

That was obvious to me the first time  I “met” Marian Schembari on Twitter (she’s @marianschembari). She knows what she’s talking about. Whenever I have an idea about social media, I bounce it off Marian.

Marian Schembari, who helps authors sell boatloads of books.

And the cool things for readers of this blog? Marian specializes in social media for authors. That’s right, she focuses on helping writers sell books. And she’s here today to tell us how she does it.

Thanks for joining us, Marian! How’d you get into social media consulting? What makes you qualified to work with authors?

My background is in book publicity, and the way I landed that job is where the social media part comes in. I left college wanting to get into publishing, but getting my foot in the door was way more difficult than I had thought. After three months of sending out resumes and cover letters and hearing nothing back, I decided to take a “guerrilla marketing” approach. I used Facebook ads, Twitter, LinkedIn and a blog to get my name out there, and two weeks later I had a job as a book publicist. It was that easy. And that hard because no one taught me how powerful social media could be!

After three months of book PR, I realized a) I really enjoyed working for myself and b) most publicists still don’t really have a handle on social media, and traditional publicity is fading fast. Print and TV opportunities are limited, and having a review in The New York Times just doesn’t have the effect it used to. Readers want a personal connection, not some unrelatable opinion from a faceless reviewer. Readers want recommendations tailored to their interests, friendly neighborhood book bloggers and fan pages where the author actually participates in discussions.

Today, what can help sell books are relationships. Make it easy for readers to engage. Connect directly with book clubs on Twitter. Update fans on your writing/tours/signings/readings. Fiction or nonfiction, it doesn’t matter. There are incredible communities online – covering everything from knitting to politics to cooking to rock climbing.

You teach authors to use social networking rather than doing it for them. Why does that work better?

For a million reasons, the most important one being that no one knows a book better than the author. The second being that it’s more authentic. Like I said, readers want a personal connection with an author and if that author is going to make the effort to be online, it’s silly to have someone else do it for them.

Social media is not one of those things you can outsource. I show authors how to create a real presence online based on their interests and goals. I do a little tutorial work for those who are brand-spanking new, but when it comes to the actual tweeting, blogging, etc… well, that’s where they have to put the work in. There are ways to approach social media so it doesn’t consume your life, and I give my authors a daily, weekly and monthly schedule so they actually have time for writing and aren’t just sitting at their computers tweeting all day. This makes all the difference.

What are two of the top mistakes you see authors make when it comes to social media?

Only two? Sigh. Well, the first is attitude and this definitely comes across through their profiles. So many authors think it’s “not their job” to take care of the marketing and publicity of their book. But as much as I love publishing houses and their employees, here’s a little word to all you authors out there: your publisher’s not going to do sh*t for you.

While unfortunate, it’s the truth. And this isn’t the publisher’s fault! With the economy in bad shape and the interwebs making it harder and harder to sell books, their staff is spread incredibly thin. So if you want to make sure you actually sell your book, take some of the easy marketing into your own hands. Get on Twitter. I’ll help you find that community of readers who’s going to fall in love with your book. Create a Facebook fan page and spread the word. But don’t sit at your desk whining that it’s not your responsibility. The incredible power of social media is that you don’t need to be a marketing expert, you just need to have a passion for your book, be willing to learn the basics and have fun with it! [Note from Alexis: Love this tough love approach. Marian’s so right.]

The second mistake? Blatant self-promotion. While people will start following you on Twitter or become your fan on Facebook because they want to hear more about you, they don’t want to hear you shouting “Me! Me! Me!” from the social media rooftops. They want to hear where your next reading will be or get a link to your latest review, but they also want to hear about your favorite authors. Writing tips you can provide. Extra tidbits about your book. And, of course, you need to give love to get love. So retweet (that’s Twitter lingo) and engage others in conversation to get the most out of your online presence.

You offer solid tips on your site about how job seekers should use LinkedIn. Do you think LinkedIn is also valuable for authors?

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En lieu of a Writers’ Roundup… Socialexis

I’ve felt slightly overwhelmed this week trying to juggle three major projects: book revisions, my new social media biz and a revamp of my website. Everything, including this blog, will soon be at alexisgrant.com. Finally!

To lighten my to-do list, I’m going to pass on the writers’ roundup this week, and instead ask you to “like” the new Facebook page for my biz, Socialexis. I promise not to inundate you with updates (because that’s what prompts me to unlike pages I follow), but I will let you know what I’m up to and occasionally post social media tips.

A Facebook page is also an easy way for you to refer me to friends who might be able to use my help, since there’s a “Suggest to Friends” link under the main photo.

Thanks for your support, guys! Couldn’t do it without you. And I mean that.

A simple tip to help you build your online community

Everyone’s always complaining about how much time it takes to build an online community — to grow a following on Twitter, Facebook, your blog, etc. It’s true. It does take a lot of time.

So I like to give my clients tips to maximize every minute they spend online. And this particular tip will help you across the board, on every network and platform. Best of all? It’s easy.

Whenever you write the name of your blog, make it clickable. How do you do that? By including http:// at the beginning of the address.

I’m going to use my friend Melanie’s blog as an example, because I was teaching her this yesterday. I know she won’t mind because y’all are going to go check out her blog about life as a new mom, right?

Melanie should be writing her blog address like this: http://soveryvienna.blogspot.com

Not: http://www.soveryvienna.blogspot.com

Not: soveryvienna.blogspot.com

The http:// is crucial. It lets readers click on your link right there, rather than having to cut and paste it into their browser. The fewer steps it takes to get to your blog, the more readers will visit. The easier it is for readers to visit you, the faster your online community will grow.

Do this when you’re leaving comments on other people’s blogs. Do it in your e-mail signature. Do it in the blurb on the left-hand side of your Facebook fan page. (Profiles have a website option built in, so no need to worry there.)

This applies to all parts of your online life! To your Twitter handle! http://twitter.com/yourhandle. To your Facebook fan page! http://www.facebook.com/yourpage. To everything!

Ingrain it in your head. I will always use http://. It doesn’t matter whether or not you include www. That’s your choice.

Note: This trick will NOT work when you’re writing a blog post. You’ve got to use your link button to make a link live.

If you already knew this, don’t growl. Pat yourself on the back. That’s way more productive. And if you learned something new today, go forth in your online community and show off those skills!

Why your biz or book needs a Facebook page, not a group

I don’t want to give away all my social media hints — I want people to pay me for this, remember? — but here’s a common mistake I’m seeing clients (and small businesses who should become my clients) make: creating a Facebook group or profile for a business, product or public figure when they should create a page.

Say your first book comes out, and you want to build relationships with readers. Or you’ve got an awesome freelance writing business you’re looking to promote. Or you run a travel company and want more clients. Or you’re looking to draw more customers into your coffee shop.

Lots of business owners — including writers who need to sell books or services — know they should use Facebook. It’s a good place to start building your social media relationships for lots of reasons, including 1. you might already know how to use it if you have a personal profile and 2. millions of people network there. But too many people make the mistake of creating a group or profile (that’s what you’d have for your personal account) when it would be far more beneficial to have a fan page.

Here’s why it’s better to have a fan page than a group:

  • It’s less of a commitment to become a fan of a page than to join a group. Yes, either way all your followers have to do is click a button. But this is a big difference in the minds of regular Facebookers. A group is more like an exclusive club, while anyone with minor appreciation for a certain brand might be willing to say they like it. That means followers are more likely to like a brand than join its group page.
  • Page updates appear in fans’ news feeds, while group updates do not. That means group members have to visit the group to be reminded of your services. Since you’re essentially advertising here, you want to be able to put your product in front of potential buyers without making them come to you.
  • The content on a page is expected to come from you, while the content in a group depends more on group members. Either way, you’re aiming to build a community, and interaction by followers in a group or on a page is always encouraged. But it’s easier to maintain a page’s momentum because you’re in charge. Groups can wither if there’s not enough participation.
  • Anyone can see a fan page. Groups tend to be more private; you might have to become a member to see all the content. You determine your own privacy settings, of course. But to promote your business, you want the most open option available.
  • Pages are more customizable than groups.
  • Pages allow an unlimited number of followers. Groups have a 5,000-person limit. Right now that might not seem like a big deal. But when your biz or book becomes super popular — like this author, who accidentally got 700,000 fans on his page — you’re going to want to have room for more than 5K fans.

Want more reasons? Mashable and Squidoo have posts on the differences between Facebook pages and groups.

Half of using Facebook to market your business is about not annoying your followers. Get in front of them, let them see what you offer, but don’t annoy them. The hard part about this is you have to be well-versed in the culture of Facebook to know how to avoid annoying people. And let’s face it, even some regular users annoy us. You don’t want your business to be like the friend who’s always throwing FarmVille pigs at you or has linked their Twitter account to Facebook so their updates take over your feed.

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Creating a page, not a group, is a step toward using Facebook effectively. And since it’s impossible to turn a group into a fan page, this is one thing that’s worth getting right from the beginning.

If you liked this post, you might want to read: How to use Facebook to — shhh — promote your book.

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What exactly does a social media consultant DO, anyhow?

Since announcing yesterday that my doors are open to social media business, several friends and potential clients have written to me asking, so what does that mean you actually do?

Like most consulting positions, social media consulting can mean a lot of different things. Consultants provide a huge range of services and their prices fall across the board. But me? I’m looking to help businesses and organizations use social media to extend their reach.

My services fall generally into two categories:

1. For businesses who don’t have the time and/or the know-how to use social media themselves, I help them create a plan and then implement it for them. Could be as simple as growing a following on Twitter and Facebook and YouTube, or a more in-depth online community-building strategy. It all depends on your specific goals and budget.

2. For businesses who know how to use social media or want to learn, I help them figure out which networks and strategies will be most effective for their goals and how to leverage them effectively. I can tailor a plan, talk with you over the phone and leave you to implement it (with optional follow-ups), or I can coach you through implementing that plan if you’re starting from scratch with social media. A lot of my ideas revolve around social networks, but I also help with blogging, finding customers in forums, etc.

I’m also available to write press releases and reach out to appropriate media for businesses that would benefit from some more traditional marketing.

If what you need falls outside these categories, that doesn’t mean I can’t help you! By all means, drop me a note, let me know what you’re looking for and I’ll give you an idea of how much it would cost. Since I’m just starting to turn this into a business, I’m willing to size the scope of your project to your budget. Especially for small businesses and organizations with financial restraints, I recognize that working with you to make my services affordable helps us both.

My e-mail: alexiskgrant@gmail.com

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Want to help me succeed? Post this on Facebook, tweet it or tell a friend who might want to hire me! Thanks, y’all!

I’m open for social media business!

My job hunt has taken an unexpected turn. A good one.

Though I’ve applied mostly for journalism positions, plus a few other writing-heavy jobs, something different keeps falling into my lap: social media gigs.

I resisted it at first. I see “social media consulting” and immediately think snake-oil salesman. I mean, who really needs someone to help their company with social media? Everyone knows how to do this stuff!

But everyone, apparently, doesn’t. Look at the job boards, and you’ll see tons of social-media positions. (Mashable Jobs is my favorite social-media-heavy board.) Lots of companies that want to expand their client base through social media don’t have the know-how or the time to do it.

These positions keep finding me. Here’s one example: I applied for a writing/editing position with an international organization. The woman in charge of hiring wrote me an e-mail saying that yes, I looked qualified for the Web-writing position, but what they’d really noticed on my resume was my social media skills. Would I be interested in a job along those lines?

Now, social media is on my resume, but I hadn’t exactly highlighted it. Mostly because I didn’t realize how much I could leverage my experience in this field. Yeah, blogging and building online communities and using all sorts of social networks is part of my daily life. I use those tools because they help me accomplish what I need. I ran the @freeroxana Twitter campaign because I thought it was an important cause. I created a Ning group for writers of travel memoir because I saw a gap in the writing community. I figured out the ins-and-outs of using social media for networking because it helped me with my job hunt. I put that experience on my resume because I thought it made me more marketable all-around, not because I expected an employer to hire me specifically for those skills.

But small businesses and organizations are offering to pay me to build online communities. C’mon. How can I say no to that? I’m excited to help them!

On top of that, it seems that all the press releases I threw into my trash as a journalist are now coming in handy. For small businesses looking to build online communities with the end goal of finding new clients, it turns out I have something else to offer: I can write a damn good press release, and I’m smart about figuring out who to send it to. I’m an affordable one-woman social-media-slash-media-relations band! Who would’ve thought?

So I’ve started taking on clients. And thanks to this bridge-builder we call the Internet, they can be in the next town over or across the country. I’m not jumping off the job search train just yet, but this might have the potential to turn into a full-blown business.

If you know a small company or organization who wants to extend their reach and needs help doing it, you know where to send ’em.

If you’re in the social media biz too, I’d love to hear from you.

Another reason writers should use Twitter

You all know I think writers should use Twitter. And Facebook. And other social media that helps you create your own community.

Here’s yet another reason you should use Twitter: that’s how I connected with my agent.

Well, not directly. I have long followed Rachelle because her tweets about publishing are helpful and entertaining. But the connection I made on Twitter that led me to Rachelle was not the agent herself.

It was another writer. That’s right, folks! A Twitter friend — who became an e-mail and phone friend — put me in touch with Rachelle.

I connected with this author about a year ago for the same reason many of you connect with certain tweeps: we have stuff in common. We both have a background in journalism, and we’re both working on memoir projects. After chatting occasionally over e-mail for several months, this tweep offered to critique my book proposal. Since she’d written many successful proposals herself, I jumped at the chance.

I didn’t know this then, but this tweep happens to be friends with a literary agent: Rachelle Gardner. During a conversation with Rachelle, she mentioned my book, which, of course, she knew a lot about since she’d read my proposal. And whatdoyaknow, Rachelle was interested. I’m now her client!

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Every connection helps, even — or perhaps especially — connections we make for fun. If you’re not on Twitter, do yourself a favor. Join.

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How to use social media to look for a job

A lot has changed since the last time I was in the market for a job. Fresh out of j-school in 2005, I gave my resume and clips to the editor of a newspaper I wanted to work for. He didn’t have any openings, but he knew someone who did: the Houston Chronicle‘s Washington bureau chief. So the no-openings editor passed my resume to the Chron editor. And guess who hired me?

Now, five years later, as I look for a D.C.-based reporting/writing/multimedia/social media position (if you smell a plug, you’re right on), that passing of the resume is still important. What’s changed is how the resume is passed. Now it’s often done digitally. And most of that digital resume-passing occurs through social media.

Knowing how to use social media effectively has become doubly helpful in the job hunt: not only do employers value social media skills, but using social media strategically can help you land the job you want, even if social media skills aren’t required.

Here’s how I’m using social media in my job hunt:

Facebook. Yes, Facebook is for fun. But my friends might also help me with my career. Since I’m a journalist, a lot of my Facebook friends are journalists or former journalists who work for organizations that might be hiring. And because of Facebook, I’ve stayed in touch with colleagues-turned-friends who I might not have kept in contact with before it was so easy.

My friends know I’m looking for a job in D.C. They know because I’ve said so in my status updates, even asked them to let me know if they hear of any openings. Asking for favors on Facebook is easy, because these people already know and like me. The key is to not inundate your friends with hiring pleas. Let them know you’re looking and then move onto something else (please, not FarmVille).

I’ve mentioned my job hunt in my status update only twice in the last six months. That was enough for a handful of friends — including a few I wouldn’t have thought to approach individually — to write me private messages with suggestions of places that are hiring or people who might be helpful to talk to. Because of Facebook, 748 people might think of me when they hear of a job opening. And since the best positions often aren’t posted on job boards, it’s important to let people know you’re looking.

In addition to pimping myself on my status updates, I use Facebook to send private messages to friends who live in D.C. and ask them to be on the lookout for openings (because not everyone checks their news feed obsessively enough to catch all of my status updates). I’m not close enough with some of these friends to e-mail them on a regular basis, but thanks to Facebook, we’re still in touch.

LinkedIn. If you’re uncomfortable networking for jobs on Facebook (though you shouldn’t be), you should feel just fine doing it on LinkedIn, because that’s why the site was created. It’s good for more than simply building your network. LinkedIn has a great job board, and groups that I’m part of — my alma maters and media groups  — also list jobs on their own LinkedIn pages.

Whenever I apply for a job, I search on LinkedIn for people who work for the company, specifically the person who would be my boss or hire me (I figure that out with Google’s help). And this is genius: LinkedIn tells me whether one of my connections knows that person! It’s like riffling through my Rolodex and being able to see not only my networks, but my friends’ networks, too. Taking that one step further, LinkedIn lets you write a note to the person you want to contact — through your friend, who can endorse you in the process.

Why is this important? Because applying for a job online isn’t enough anymore. To get someone to pull your application out of the virtual pile, you’ve got to talk or e-mail with an actual person. In the old days (what, like five or ten years ago?), you had to know someone at the company or wiggle your way in by networking in person. But with LinkedIn, you can create that connection — and get a personal recommendation to boot.

Remember: if you can find someone on a social-networking site, they probably know how to find you, too. So make your profiles professional and all-around awesome.

Twitter. It’s ironic that LinkedIn is supposed to be the forerunner for career networking, because I’ve found Twitter to be the most useful in this job hunt. A different community of people follow me on Twitter than on Facebook, and tweeting about the type of job I’m looking for reaches a ton — about 1,500 — of people who otherwise wouldn’t know I’m on the market.

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Do Twitter & Facebook help or hinder your writing?

The Los Angeles Times book blog ran a post last week about a writer who went off Facebook and Twitter for the first three months of this year to focus on her project. Edan Lepucki blogged about the detox, concluding that she didn’t miss the sites as much as she thought she would.

Which begs the question: Do social-networking sites help or hinder writers?

I think the answer lies largely in how you use Facebook and Twitter. Sure, they can be fun. But they can also be incredibly useful. And I can’t help but think that people who only see them as a distraction aren’t using them in a useful way.

For me, Facebook is not a time suck. (If it is for you, maybe you should seriously consider a detox.) I use it to keep in touch with people, so much that the messages feature serves as a second e-mail. It helps me keep up with old colleagues and classmates, as well as new friends. And right now it’s helping me network for jobs.

Twitter is a different story. It offers so much information that I could easily spend my entire day refreshing my stream. But while it has the potential to be more distracting than Facebook, it also has the potential to be more useful. My stream serves as a sort of classroom, offering links to stories and blog posts, tutorials, you name it.

Then there are the people I’ve met: writers who’ve helped me with my manuscript, journalists who’ve been instrumental in my job search, and more. Twitter is not just about tweeting at these people online; it’s about bringing those connections off-line. (Credit Penelope Trunk for that insight.)

I could go on and on about how great Twitter can be when it’s used properly. But the truth is, sometimes Twitter is a distraction. Particularly for those of us who write at home all day. It takes a lot of self-discipline to focus on writing.

Unless, of course, you don’t have a connection. I was forced to experiment with this for five weeks this fall, when I was a resident at an artist’s colony in Georgia. My studio was not wired with Internet. It also didn’t have a television, cell phone service or even a phone we could use to call home. (There was a land-line for emergencies — and thank God for that, since I was in the middle of the woods by myself.) Every distraction I might’ve had at home was removed for me in this setting. In the evenings, the artists met for dinner in a common building that was about half a mile from my studio, and there we had access to Internet, so I could check my e-mail, Facebook page and whatever else was begging for my attention.

At the end of my time there, I was asked to fill out an evaluation form. (Hambidge got all high marks from me.) The board that oversaw the place was thinking of installing Internet in the studios. Did I think that was a good idea?

Before arriving at Hambidge, I was terrified of going without Internet and cell-phone service. So what I suggested on that evaluation form was unexpected: I wrote that they should leave the cabins without a connection. Not having those distractions created a silence, both around me and inside my head. It made room to think about things I didn’t have space for before, like, well, my manuscript. Without the Internet muddling my thoughts, my story arc became clearer. And perhaps more importantly, my life became clearer, too.

What I’m saying here is this: social networking has a place in my world. It’s not just fun; it’s essential to my growth personally and professionally. But I see the value in detoxing for a period of time, in stepping away not only from Twitter and Facebook but from other distractions in life that keep me from producing my best work.

What do you think? Would you consider a long-term social-media detox? Or a break from all Internet? Or is that online connection too vital to what you do every day?

Five cool ways news organizations are using social media

Yeah, I usually blog about writing or travel. But since I’m looking to dive back into full-time journalism, my mind has been wandering into news land. Specifically, social media news land.

I’ve been watching how journalists and news organizations use social media (and playing with some of those approaches myself). By now, most media outlets take advantage of Facebook, Twitter and YouTube, maybe even LinkedIn and Flickr. But there are heaps of other ways to engage audience and create community.

Five social-media tools that journalists are using in innovative ways:

1. Twitter Lists. When Twitter’s list feature was first announced in October, journalists quickly realized the tool was useful to group and follow their sources. Now media organizations are taking it one step further, offering those lists to consumers so they can follow sources on their own. The New York Times, for example, has a page that aggregates all its Twitter lists, with a button that makes it easy for readers to follow those lists, too. The Texas Tribune created a list of the state’s elected officials using a unique format that lets readers see the latest tweet for each one. And some outlets, like the St. Petersburg Times, offer lists of their own reporter’s Twitter handles.

Because they can be put together quickly, lists are also an awesome tool for breaking news events — even if you’re already using a Twitter hashtag. Lists point both reporters and consumers toward tweeps who know what’s happening: people at the scene, experts on the topic or others who are affected in some way by whatever’s going on. When I come across such an example again, I’ll link to it here. (If you can share one, please let us know in the comments.)

2. Avatars. Personality is what makes Facebook pages and Twitter feeds popular; that’s why pages and feeds by reporters, infused with those individual’s personalities, often have more fans and followers than straight-up topical feeds (although topical and breaking news feeds have their place, too). But what happens when more than one reporter contributes to a feed? Can you go topical yet remain personal?

The Chicago Tribune’s solution was the creation of Colonel Tribune, its digital face for the paper. On Facebook and Twitter, the Colonel doesn’t simply throw out breaking news headlines, he teases links to stories and offers interesting tidbits, like a person would. (He’s unbiased, of course.) “He routinely gets news tips from some readers, hears from others about corrections and typos in stories, and he is offered story ideas,” explains Bill Adee, creator of the avatar, in this Nieman Foundation story.

3. Tumblr. Newsweek is leading the way (for media outlets, anyhow) with this blogging platform. In this interview with MediaBistro’s FishbowlNY, Mark Coatney, who’s behind Newsweek’s tumblelog, says, “It’s useful for us in terms of engaging a new kind of reader.”

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